Snow

The room was suddenly rich and the great bay-window was
Spawning snow and pink roses against it
Soundlessly collateral and incompatible:
World is suddener than we fancy it.

World is crazier and more of it than we think,
Incorrigibly plural. I peel and portion
A tangerine and spit the pips and feel
The drunkenness of things being various.

And the fire flames with a bubbling sound for world
Is more spiteful and gay than one supposes -
On the tongue on the eyes on the ears in the palms of one's hands -
There is more than glass between the snow and the huge roses

An Eclogue for Christmas

A: I meet you in an evil time.

B.                        The evil bells

Put out of our heads, I think, the thought of everything else.

A. The jaded calendar revolves,

Its nuts need oil, carbon chokes the valves,

The excess sugar of a diabetic culture

Rotting the nerve of life and literature;

Therefore when we bring out the old tinsel and frills

To announce that Christ is born among the barbarous hills

I turn to you whom a morose routine

Saves from the mad vertigo of being what has been.

B. Analogue of me, you are wrong to turn to me,

My country will not yield you any sanctuary,

There is no pinpoint in any of the ordnance maps

To save you when your towns and town-bred thoughts collapse,

It is better to die in situ as I shall,

One place is as bad as another. Go back where your instincts call

And listen to the crying of the town-cats and the taxis again,

Or wind your gramophone and eavesdrop on great me.

A. Jazz-weary of years of drums and Hawaiian guitar,

Pivoting on the parquet I seem to have moved far

From bombs and mud and gas, have stuttered on my feet

Clinched to the streamlined and butter-smooth trulls of the elite,

The lights irritating and gyrating and rotating in gauze – 

Pomade-dazzle, a slick beauty of gewgaws –

I who was Harlequin in the childhood of the century,

Posed by Picasso beside an endless opaque sea,

Have seen myself sifted and splintered in broken facets,

Tentative pencillings, endless liabilities, no assets,

Abstractions scalpelled with a palette-knife

Without reference to this particular life,

And so it has gone on; I have not been allowed to be

Myself in flesh or face, but abstracting and dissecting me

They have made of me pure form, a symbol or a pastiche,

Stylised profile, anything but soul and flesh:

And this is why I turn this jaded music on

To forswear thought and become an automaton.

B. There are in the country also of whom I am afraid –

Men who put beer into a belly that is dead,

Women in the forties with a terrier and setter who whistle and swank

Over down and plough and Roman road and daisied bank,

Half-conscious that these barriers over which they stride

Are nothing to the barbed wire that has grown round their pride.

A. And two there are, as I drive in the city, who suddenly perturb –

The one sirening me to draw up by the kerb

The other, as I lean back, my right leg stretched creating speed,

Making me catch and stamp, the brakes shrieking, pull up dead:

She wears silk stocking taunting the winter wind,

He carries a white stick to mark that he is blind.

B. In the country they are still hunting, in the heavy shires

Greyness is on the fields and sunset like a line of pyres

Of barbarous heroes smoulders through the ancient air

Hazed with factory dust and, orange opposite, the moon’s glare,

Goggling yokel-stubborn through the iron trees,

Jeers at the end of us, our bland ancestral ease;

We shall go down like palaeolithic man

Before some new Ice Age or Genghiz Khan.

A. It is time for some new coinage, people have got so old,

Hacked and handled and shiny from pocketing they have made bold

To think that each is himself through these accidents, being blind

To the fact that they are merely the counters of an unknown Mind.

B. A Mind that does not think, if such a thing can be,

Mechanical Reason, capricious Identity.

That I could be able to face this domination nor flinch –

A. The tin toys of the hawker move on the pavement inch by inch

Not knowing that they are wound up; it is better to be so

Than to be, like us, wound up and while running down to know –

B. But everywhere the pretence of individuality recurs –

A. Old faces frosted with powder and choked in furs.

B. The jutlipped farmer gazing over the humpbacked wall.

A. The commercial traveller joking in the urinal.

B. I think things draw to an end, the soil is stale.

A. And over-elaboration will nothing now avail,

The street is up again, gas, electricity or drains,

Ever-changing conveniences, nothing comfortable remains

Un-improved, as flagging Rome improved villa and sewer

(A sound-proof library and a stable temperature).

Our street is up, red lights sullenly mark

The long trench of pipes, iron guts in the dark,

And not till the Goths again come swarming down the hill

Will cease the clangour of the electric drill.

But yet there is beauty narcotic and deciduous

In this vast organism grown out of us:

On all the traffic islands stand white globes like moons,

The city’s haze is clouded amber that purrs and croons,

And tilting by the noble curve bus after tall bus comes

With an osculation of yellow light, with a glory like chrysanthemums.

B. The country gentry cannot change, they will die in their shoes

From angry circumstance and moral self-abuse,

Dying with a paltry fizzle they will prove their lives to be

And ever-diluted drug, a spiritual tautology.

They cannot live once their idols are turned out,

None of them can endure, for how could they, possibly without

The flotsam of private property, pekingese and polyanthus,

The good things which in the end turn to poison and pus,

Without the bandy chairs and the sugar in the silver tongs

And the inter-ripple and resonance of years of dinner-gongs?

Or if they could find no more than cumulative proof

In the rain dripping off the conservatory roof?

What will happen when the only sanction the country-dweller has –

A. What will happen to us, planked and panelled with jazz?

Who go to the theatre where a black man dances like an eel,

Where pink thighs flash like the spokes of a wheel, where we feel

That we know in advance all the jogtrot and the cake-walk jokes,

All the bumfun and the gags of the comedians in boaters and toques,

All the tricks of the virtuosos who invert the usual –

B. What will happen to us when the State takes down the manor wall,

When there is no more private shooting or fishing, when the trees are all cut down,

When faces are all dials and cannot smile or frown –

A. What will happen when the sniggering machine-guns in the hands of the young men

Are trained on every flat and club and beauty parlour and Father’s den?

What will happen when our civilisation like a long pent balloon –

B. What will happen will happen; the whore and the buffoon

Will come off best; no dreamers, they cannot lose their dream

And are at least likely to be reinstated in the new regime.

But one thing is not likely –

A.                         Do not gloat over yourself

Do not be your own vulture, high on some mountain shelf

Huddle the pitiless abstractions bald about the neck

Who will descend when you crumple in the plains a wreck.

Over the randy of the theatre and cinema I hear songs

Unlike anything –

B.             The lady of the house poises the silver tongs

And picks a lump of sugar, ‘ne plus ultra’ she says

‘I cannot do otherwise, even to prolong my days’ –

A. I cannot do otherwise either, tonight I will book my seat –

B. I will walk about the farm-yard which is replete

As with the smell of dung so with memories –

A. I will gorge myself to satiety with the oddities

Of every artiste, official or amateur,

Who has pleased me in my role of hero-worshipper

Who has pleased me in my role of individual man –

B. let us lie once more, say ‘What we think, we can’

The old idealist lie –

A.                     And for me before I die

Let me go the round of the garish glare –

B.                           And on the bare and high

Place of England, the Wiltshire Downs and the Long Mynd

Let the balls of my feet bounce on the turf, my face burn in the wind

My eyelashes stinging in the wind, and the sheep like grey stones

Humble my human pretensions –

A.                 Let the saxophones and the xylophones

And the cult of every technical excellence, the miles of canvas in the galleries

And the canvas of the rich man’s yacht snapping and tacking on the seas

And the perfection of a grilled steak –

B.                  Let all these so ephemeral things

Be somehow permanent like the swallow’s tangent wings:

Goodbye to you, this day remember is Christmas, this morn

They say, interpret it your own way, Christ is born.

Let words not be dead
insects pinned on a white page
but as unruly
birds, pecking at our entrails
...so life's blood may spurt
and release unspeakably
full, informed, sounds.
We never say all we know,
truth lacking in words
not because we want to take
secrets to the grave,
but for failing to follow
each cause and effect
into our heart's Gordian knot.

i carry your heart with me

carry your heart with me (i carry it in
my heart)i am never without it (anywhere
i go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate (for you are my fate,my sweet)i want
no world (for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart (i carry it in my heart)

from Preludes for Memnon

Or
The ship's wreck, midnight, winter, and the stars
Swung in a long curve starboad above the mast,
And bow-ward then as the sea hoists the bow,
And back to port, in the vast dance of atoms,
Poured down like snow about you, or again
Steedy above the mast-light, the wide span
Of brilliant worlds, not meaningless, watched bravely
By him who guards the lighted binnacle, and him
Dark in the swaying crow's nest, who beats his arms
Against the cold. What mind of stars is this?
What changing thought that takes its ever-changing
Patter in burning worlds, worlds dying, named
Sirius or Vegas or the Pleiades?
What voyage this beneath them, termless, but
Not aimless wholly, trackless in the trackless
Changing of thought in the wide wind of stars?


Back from the bitter voyage to this moment:
Where the clock's tick marks hunger from disgust,
And the hour strikes for laughter, causeless, caused
By one strayed particle, unseen, between
The heart's Nile and the brain's unknown Sahara:
Rolando's fissure and the Island of Reil.
Who watches here, oh mariners and surgeons?
What Pole Star lights these shores? The atom grows,
If so it will, much like a tree, its light
Orion's now, and now the Bear's, the clock
Seeking in vain its time. We will go on,
Since go we must, bending our eyes above
The little space of light we know, watching
Thought come from news, love come from thought, desire
Come to fulfilment or defeat; and all
Swinging beneath us like that mind of stars,
Which alters when it must, alters for nothing,
In the long night that guides the ship to death.

Not Only Forms

Not long since, we combed
the shoreline of this western foreland
among the jetsam of weather, tide
and all things that diminish
through the hourglass of air,

trying for purchase
on the sliding stones, these difficult
peninsular relics
rounded bones
and pounded forms
of the earth’s violent slow decay –

a place where crows come in their black
twilight clusters
for raucous scouring
and picking over;

hammer in hand, mind pacing,
you fossicked for spoors
of what’s locked, original,

oldest lithographs
of what brought us here
to the mad pebble-dashed hurtle
of this planet

always the continuing
Preamble of form: